Boutique game soundtrack record label. We create, manage, and protect some of the most popular video game soundtracks, piano collections & vgm covers albums.

Seattle, WA
Joined July 2015
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60% off nearly all in-stock vinyl and CDs for the next hour! ⬇️
🕔 Materia Collective is Materia’s first record label, featuring soundtracks, piano collections, licensed cover albums, remixes, and more. Take 60% off the entire catalog for one hour only, starting NOW. #POWERHOUR
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Be sure to follow @MateriaStore for #POWERHOUR: deep hourly discounts on some of the best video game music available, including Materia Collective's releases!
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Our storefront @MateriaStore has some wild Black Friday sales, going until Tuesday next week! Most Materia Collective CDs and vinyl are up to 50% off. materia.store/collections/ma…
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Vinyl sale over at @MateriaStore! Love @MonarchAudio? Pick up the Carrion vinyl at record prices.
🕛 Become the monster. Cris Velasco’s vinyl soundtrack to Carrion’s is 75% off for one hour only, starting NOW. #POWERHOUR
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Replying to @blipblopwax
Why no pressings on LaserDisc?
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We can't wait to ship you the Piano Collections: CHRONO TRIGGER vinyl! - First pressing of 1,500 units - 180 gram black 12” 1xLP - Gatefold jacket - 12-page booklet featuring liner notes, detailed arrangement notes by @TrevorAlanGomes, and additional art by Nora Kristiansen
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We are thrilled to announce vinyl and CD editions of @TrevorAlanGomes's gorgeous Piano Collections: CHRONO TRIGGER album. Available now on premium digibook and digipak editions, featuring detailed arrangement notes and additional art by Nora Kristiansen. materia.to/ctpianoTW
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Congratulations #GRAMMYs nominees for Best Score Soundtrack for Video Games and Other Interactive Media! 🎉
Congratulations 65th #GRAMMYs Best Score Soundtrack for Video Games and Other Interactive Media nominees: @awintory (@AliensFireteamE); @StephEconomou (@assassinscreed); @bearmccreary (@CallofDuty); @Richard_Jacques (@GOTGTheGame); and @christophertin (@mohawkgames)
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Out now: Shadows Over Loathing by Ryan Ike, just in time for Halloween! 🎵 materia.to/ShadowsOverLoathi…
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The soundtrack to Shadows Over Loathing by Ryan Ike is out now. materia.to/ShadowsOverLoathi… @asym also made a game to accompany the music!
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To feel its chattering, gnashing song course through your body, your brain bursting like overripe fruit as it twists you, transcending, into a form capable, at last, of joining it's horrifying chorus? No? Ok, whew. Like, honestly? That's great.
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Does your very being vibrate with the need to hear–truly hear–the coiling, undulating counterpoint of the Sound That Should Not Be?
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Does some dark part of your mind–slumbering, and yet . . . awakened–pine to stare into the creeping, grinning blackness between the stars and feel its infinite dirge pour down upon you, like liquid into a vessel that knows not what it holds?
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Do you yearn for the music of the void, as it yearns for you?
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For monetized uses of cover songs, we ONLY collect the music publishing royalties. It's up to cover song recording artists to use a distro or someone like Screenwave to collect sound recording royalties; the other half. This article breaks it down well: blog.songtrust.com/things-yo…
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For cover songs, we license those rights to creators on YouTube -- and dozens of other platforms. That means, rather than creators risking takedowns/infringements, the uploads and covers are legal, licensed, protected; and the creators get paid. We think that's important.
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We don't issue claims. Claims come from YouTube via international music societies. Based on laws in those territories, they are entitled to collect certain royalties. We help creators by overriding those claims and policies, so that monetization can continue for most uses.
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Nothing in music rights is that simple. We wish it was. And yes, managing dozens of music partners on platforms like YouTube remains one of our obligations for all of our clients, which we continue to fulfill.
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