Boutique game soundtrack record label. We create, manage, and protect some of the most popular video game soundtracks, piano collections & vgm covers albums.
Seattle, WA
Joined July 2015
- Tweets 16,631
- Following 14,170
- Followers 13,053
- Likes 26,062
5 years of Alola That Jazz! Return to Alola with @insanerainmusic's jazzy celebration of Pokémon Sun & Moon. materia.to/alolajazzTW
insaneintherainmusic - Alola That Jazz
Listen to Alola That Jazz by insaneintherainmusic.
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Materia Collective retweeted
The next Taiko No Tatsujin includes Undertale's Megalovania. Day one must-buy. bit.ly/3oDRdpL #NintendoDirect
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Happy 3 years of West of Loathing: Reckonin' at Gun Manor! Come explore twisted, haunted mansions, full of shambling horrors and non-euclidean geometry and enjoy Ryan Ike's dulcet soundtrack along the way.
materia.lnk.to/wolragmTW
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For our friends in Europe: a limited number of copies of the Hollow Knight Piano Collections vinyl are available via Black Screen Records as well!
blackscreenrecords.com/produ…
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Return to Dirtmouth with the Hollow Knight Piano Collections. The second edition of our bestselling vinyl is back!
• 2xLP tip-on gatefold jacket
• Uncoated 24-page art booklet featuring illustrations by Nise
• Foil printed logo
• 180g black discs
materia.to/hkpianoTW
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Materia Collective retweeted
HitPiece “engaged in the systematic and flagrant infringement of the intellectual property rights of the Record Companies and their recording artists,” says the RIAA.
blbrd.cm/dIsC4Gn
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It's #BandcampFriday! What video game music are you picking up today?
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Please let us know; we’re very curious on how we will be paid for the (as of now) unlicensed, unsanctioned, and unauthorized reproduction of several thousands of our copyrights. legal@materiamusic.com
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How do rightsholders of album/track artwork get compensated? What display/reproduction copyrights does Spotify grant you via the API feed? How are royalties structured, and artists compensated for these usages? How are copyright holders for these works identified?
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Are you licensed with HFA, MRI, or another matching provider? Speaking of – which PROs, MRO, CMOs do you currently have licenses with? How are reproduction and performance royalties submitted to territorial rights holders, co-publishers, sub-publishers, and other administrators?
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How do you process ISRC collisions? How are you matching ISRC to ISWC matrices? What collision tables and flows are used? What QA is there for unallocated/unmatched works? For musical compositions, which % are you allocating to the black box, per territory?
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What laws apply for fractional ownership? How are you accounting for intellectual property use/sales/export/import taxes?
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How are mechanical royalties paid to composers, songwriters, music publishers, administrators, and other rights holders? Are you adhering to the copyright laws of the creator, owner, publisher, minter, or buyer?
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For sound recordings or musical works in the public domain, which territory(ies) do you use to determine PD status – is it based on the server location of minting, your business location, the minter location, or buyer location? Can you add a label for public domain works?
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Do you allow estates, administrators, and other representatives to collect royalties on artists’ behalf? Are there exclusive/reserved entities allotted to collect fractional royalties? If so, how is that structured?
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How are artists and/or rights holders identified? How are you accounting for fractional ownership/collection/representation? How are you resolving ownership conflicts, rounding errors, and disputes? Where can we submit cue sheets, CWR feeds, DDEX feeds, and other metadata?
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