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Design Week's November event picks include the Design for Planet Festival, Design Week Ireland and an exhibition on potter Lucie Rie: bit.ly/3fCLajL
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Mucca designed a bespoke typeface as part of a new identity for Tin Building, applied across more than 575 touchpoints for its venues, packaging, signage and merchandise: bit.ly/3DWVhJz
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Here’s Swedish beer brand Bellman’s new visual identity created by design studio Everland: bit.ly/3DU4uCB
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Opening tomorrow at The Science Museum - a new “visually dazzling” tribute to technicians: bit.ly/3DbqEwS
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DNCO rebrands the former Heal’s Building as part of a new generation for the Tottenham Court Road site bit.ly/3TXTw4y
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Rhode Island School of Design’s “unorganised” identity updated by Brooklyn-based studio Gretel: bit.ly/3DTWhhu
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How&How’s new identity for Flyp – a property platform aiming to move away from real estate’s dishonest reputation: bit.ly/3TyuY1W
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Placing an emphasis on flavour, Baggi’s rebrand of Honestly Tasty aims to change people’s attitude towards the plant-based product: bit.ly/3DDaFL6
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Barnbrook has designed the 2D exhibition graphics and visual identity of the three-part exhibition to help explore how horror-inspired counter culture responds to political dissonance and societal unease: bit.ly/3sNf87C
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Baggi’s rebrand of Honestly Tasty features a new bespoke wordmark which aims to “reflect the full flavour" of the product : bit.ly/3DDaFL6
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Inconstant Regular has been designed to kickstart the There’s Nothing Comic About Dyslexia campaign, which challenges designers to create a dyslexia-friendly typeface: bit.ly/3sD9Yeq
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Strombrands has partnered with Morrisons on the repositioning and rebrand of its own-label ranges in a bid to “rejuvenate” them into “destination brands”: bit.ly/3Fp0Vpd
R/GA group creative director Kyle Wheeler looks at how if you design with inclusivity in mind throughout a project, everyone wins: bit.ly/3DNfpxM
The new 50 pence will be the first coin to feature King Charles III's official coin effigy, designed by Martin Jennings: bit.ly/3ClTn4o
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Ingka Group and H&M’s retail project showcases what can be done when designers use short city-wide supply chains and manufacture within the capital: bit.ly/3zrcqZd
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“Dyslexia legibility and designer usability”: Daniel Brokstad’s new typeface Inconstant Regular: bit.ly/3sD9Yeq
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Baggi included the familiar feature of “cheese strength factors” on this plant-based cheese brand's packaging to make it come across as “high-quality [...] particularly on-shelf”: bit.ly/3DDaFL6
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DixonBaxi used various levels of transparency and layering when creating GoTyme Bank to “suggest accumulation and momentum”: bit.ly/3ziNdQO
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Morrisons’ Free From, Counted and Organic ranges have been repositioned, each with their own unique packaging, colour palette and typography by Stormbrands: bit.ly/3Fp0Vpd
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